Ten Ways to Get People to Subscribe to Your Twitter Page

When it comes to Twitter, subscribers or “followers” are your key to building popularity. And popularity is a fundamental and a very important concept to grab hold of. The idea is that by following someone, they’ll agree to follow you back.

The following are other ideas which can help with subscriptions:

1) Connect your blog or social network site to your profile. By adding a link to each of your social media profiles to your Twitter profile, and vice versa, you are making sure everyone you know is able to reach you in all the places they have accounts as well.

2) Ask others to recommend your profile. A blog reader could recommend your social networking page, or other members of your social network could recommend your blog. Word of mouth can go a long way, especially in the world of social networking. Although you may not get every person who hears of you on your Twitter page, you can easily raise the number with a few referrals from friends.

3) Purchase banner ads which in turn can be linked to your profile. This way, when your website banner ads are clicked on, the link is automatically established to your Twitter page. This will prevent anyone having to search far and wide in order to find you.

4) Use usernames and avatars which match either your business or other social networking sites. When you sign up for your Twitter account, use the same name you have on other social network sites. If this name isn’t available, try to use something as similar as possible. You can use the same avatar as well. Anyone who is familiar with you from another site will notice when you send out a tweet.

5) Avoid spamming your Twitter. If you constantly drop in silly and unproductive comments several times a day, people won’t take you seriously for long. Make sure you are adding something of value when you post. While it’s fine to post your own URL, joining into conversations will show people you are approachable.

6) Asking questions will show people you are not only looking for input, but you don’t consider yourself a guru either. Who knows – this may result in not only receiving an answer to your question, but with reciprocal following as well.

7) Be careful when posting URLs in Twitter. If the link is too long, it will be shortened with tinyurl. If this happens, it becomes impossible to see the source link to figure out what the page is before clicking through. Before you post any links, it’s recommended you write a short description or the title of the page.

8) Follow people from within your personal niche. Not only will you be able to understand what they are talking about, but you may be able to bounce some ideas off them when you get stuck. Having similar concerns and experiences means they are more likely to follow you as well.

9) The difference between bios and backgrounds is easy. Bios on Twitter are short and to the point, unlike an About Me page found on most blogs. People will get to know you from how and what you tweet, not from a novel written in your bio section.

10) If at first you don’t succeed, try again. The most experienced in the internet world make mistakes sometimes. It’s part of life. If you find you have made a mistake in one of your tweets, fix it. If you find you have chosen the wrong person to follow, stop following them.

Take the time to work out the kinks on your Twitter page, and you will see how quickly everything else will fall into place.

Source by Eric D Cooper

A Killer Free Work-From-Home Business System

Are you looking for a free work from home business? Are you tired of slaving away for someone else and not making the kind of money you want? You are not alone in this dream, there are many others just like you that have taken the plunge and have succeeded and you can too. Just like you most people that come online probably don’t have a big budget and that is OK since you don’t need one! So if your ready to discover how you can start a free home based business read on.

One of the best free work from home business is Affiliate Marketing coupled with Article Marketing. What is great about affiliate marketing is that it is free and you can make tons of money. Affiliate marketing works like this: You promote someone else’s products and when you sell a product you get paid a percentage of that sale. It can range anywhere from 50% to 75%. It is free to sign up for affiliate marketing at ClickBank.com.

How do you make money with affiliate marketing? Easy you just promote your special affiliate link and you can do that by utilizing article marketing again a free method. Article marketing is easy once you get the basics down. Writing is a learned skill in which anyone can learn even if you hated English in school. You just have to write between 300-500 words and then put a resource box at the bottom with your link to your product and when someone clicks on that link and buys you make money! It doesn’t get much easier than that and it is all free.

Do you need a website? Not really but, it does help. You can set up a free blog at blogger.com and then write reviews about the products you promote and send your traffic there. Again this is another free method for you. You can also set up a Squidoo page again free and advertise that way as well. So as you can see you can set up a free work from home business without a website and still make money.

Starting a free work from home business is not as difficult as most people make it out to be. If you truly want a free work from home business and be your own boss then you and only you can make it happen. All you really need to remember is to keep a positive attitude, stay focused, and never give up!

There you have it a killer free work from home business system that you can start and become profitable in a very short amount of time. So why don’t you get started today!

Source by Bud Audas

6 Tips to Design a Creative Logo

A creative logo is a critical part of a company’s identity and involves a lot more than putting together fancy graphics, fonts and colors. Any worthwhile logo design must be unique and memorable. Here are a few useful tips to help design a creative logo:

Get inspired

The inspiration that is needed to jumpstart the ideas can come from a wide range of places. A great place to pick up a few ideas is the design-centric websites. Also, look for other sites aimed are creative art and design. When working offline, you can look at your local surroundings. There are often plenty of things around you that can easily give an awesome idea to start designing the logo.

Study logo design

Try to learn everything possible about logo design. A worthwhile logo is effective at delivering its intended message, as well as being visually enticing, sensible and unique. The basic idea is to create something that can clearly identify a brand. While the design process can be time-consuming and intricate, the finished design should be really easy to understand and appropriate for its business.

Research

It is essential to research your audience to make a logo that is not only visually pleasing, but also helps to build up a brand. It is useful to have a complete idea of the intended message before starting the process of creating the logo.

The research process can include studying the target market, how a business works, and what they do. Plus, it can benefit to look at past logos used. This can give a few ideas and makes it easier to create the next design that is an upgrade of any past efforts.

Choose fonts wisely

The chosen fonts are a critical element of an effective logo. The font is either a pre-set one or a customized typeface. If planning to create the custom font, try not to be overly trendy. It should be classy, readable and simple.

Use mood boards or mind maps

To get your creative juices flowing, it helps to use simple tools like mood boards and mind maps to think up different concepts and images. Try to use words that are directly related and alternatives to get a wider range of inspiration.

Be versatile

A great way to ensure longevity is to create a versatile logo. If the logo looks great on novelty items, but not so well on a poster, this can limit its use. The versatility of a logo is influenced by a variety of factors, such as the layout, fonts and colors.

Source by Leo Eigenberg

Weight Loss – Losing Stomach Fat

If you're looking for weight loss by losing stomach fat, read the rest of this article. I'm going to tell you how to do this. Look, there's too much confusing and idiotic information out there about weight loss. I'm going to give you 2 basic things that will drop the pounds. Take the next minute and a half to read this article and you'll be a mile ahead of everyone else trying to lose weight.

Weight Loss – Losing Stomach Fat

1. Actually rub your stomach

Yep, it's true. What you do is rub your hands together first, however. This causes the hands to acquire kinetic heat. This heat will easily go through the skin level and into the fat deposits where they help to destroy them. So after you're done rubbing your hands for 15 seconds or so, rub your belly with small circles and make the circles bigger and bigger. Do this rubbing for about 45 seconds.

The best time to do these is right after a meal because this will help stimulate better digestion of the foods you just ate. Do this everyday and after as many meals as possible.

2. Eat protein with each meal

It's very simple. If you eat at least 20 grams of protein with each meal, you'll help to block out the effects of the carbs in the meal. So you will not have any blood sugar spikes that lead to weight gain. So if you absolutely must have a carb dominant meal, make sure protein is there as well.

This is how you accomplish steady weight loss. Losing stomach fat the easy way.

Source by Jennifer Jolan

Voice Over Microphones – How to Choose the Best One For You and Your Budget

The biggest mistake voice over artists make – and that includes some professionals – is using the wrong microphone. It can wreck your work. If you market yourself on Voice123.com or Voices.com, the wrong microphone will insure you do not get hired, or if you do, that you will not get hired by that same person again.

Here we'll look at the three types of microphones most often used, their strengths and weaknesses, cost, and how to determine which one (s) to go for.

We'll talk about the types, then look at specific brands, models, and prices.

Before we start, the most important thing I can say to you is that your microphone is the most important part of your entire audio chain, no exceptions. You can have the most fabulous gear in the world downstream from the mic, but if the mic does not cut it, it does not really matter about the rest of that gear. On the other hand, a terrific microphone followed by average-priced gear will give you a superior audio product.

What are you looking to do? Are you looking for a mic that's smooth and sweet, or hard-edged and in-your-face? Are you male or female? If you want to do movie trailers and screaming car dealer ads, you need a different mic than if you're doing "guy or girl next door" – realistic – voice work, or standard announce voice work. Here are the types of mics to consider:

Dynamic

Dynamic microphones are what you see in radio stations and are what live vocalists (singers) most often use. They're rugged, reasonably good-sounding, and okay for most voices, meaning one might not sound absolutely fabulous on your particular voice, but it will not sound awful, which is not true of other types, including some very expensive microphones. A dynamic also is not nuanced. The part that pics up your voice, the diaphragm, is connected to a coil of wire; Air movement from sound makes the coil move between the poles of a magnet. The sound has to overcome the mass of the coil, and very small sounds do not get through.

This does not make them bad. Rush Limbaugh's Golden EIB microphone is a dynamic, and, again, most radio stations use them. They are good general-purpose mics, and many voice over pros use them. They are equally good for male and female voices, and you can do most any type of style with them.

If you're on a budget, a dynamic is the only choice, because the other two cost a lot more for ones that are worth it. There are cheap versions of the other two, and you do not want one!

So if dynamics are so useful, why spend more for a condenser or ribbon?

Condenser

A condenser microphone, of which there are two types, transistor and tube ("valve" in Europe), does not have the moving coil of wire attached to its diaphragm. It modifies an electrical current generated by an external power supply (found in most computer interfaces or with an external power supply, see your dealer for info, or internal batteries). Without the mechanical resistance of a dynamic mic's coil to overcome, a condenser is far more sensitive to nuance, and therefore sounds much more intimate.

Condensers come in two flavors: transistor and tube. A tube condenser, which is an expensive instrument (there are cheap ones and they make good paperweights but not microphones), is almost always the very best way to go. They sound very intimate and full, and have a great up-front sound without being aggressive. They are quite subject to problems from non-vocal speech components – 'f', 's', 'p' – and require a pop screen (see your dealer). Tube mics also produce what's called harmonic distortion, which we do not consciously hear but is responsible for what's called "tube warmth" (nothing to do with temperature!) And sounds quite intimate.

Condensers come in two other flavors: large diaphragm and small diaphragm. Large diaphragms are for when you want a big, intimate sound. Small diaphragms are said to be more accurate. However, the right one for you is the one that sounds best after making several-minute recordings with each and seeing if one is more fatiguing or if one just plain sounds better to you than the other. There are no rules. Both kinds are used for voiceover.

Many voice over artists prefert tube condensers over transistorized ones, but in all cases, what sounds best on your particular voice is what you should get. How to choose a mic? We'll get to that in a minute.

Ribbon

Here's the third type, in a class by itself: the ribbon microphone. While dynamics and condensers 'hear' with diaphragms, a ribbon microphone "hears" with a short, narrow, and very thin piece of corrugated aluminum suspended between two poles of a strong magnet.

You've seen the big, pickle-shaped microphones on Letterman's and Larry King's desks. They are RCA Model 77 ribbon microphones (used as props in this case), invented, I believe, in the 1930's. They were found everywhere for half a century. RCA quit making ribbons in the 1970's, and an enterprising genius named Wes Dooley bought all of RCA's stock ribbons (the ribbons themselves) and probably single-handedly re-introduced the ribbon microphone to the US market. His company is called AEA, and even the AEA logo is so designed as to closely resembled RCA's logo.

Ribbon mics are warm and smooth, jazz guys like to record with them, they're very nice for ladies' voices, and for certain male voices they add a nice satisfing depth. They also have a low output, which means that you have to crank up the input on your system to get a decent level from them. But raising the input results what's called the noise floor, and you can end up with a recording where you can hear hiss in the background. Wes and other ribbon mic manufacturers deal with this problem well, however, and some companies are making preamplifiers (talk with your dealer about this) specifically designed for ribbon mics.

Whether a ribbon – or any mic, for that matter – will sound good on your voice can not be known without actually trying one out. Ribbons are quite sensitive to moving air; If you blow into one to test to see if it's on, there's an excellent chance you'll destroy the ribbon. When ribbons were in common studio use, they were 'bagged' – a fitted bag was put over them – just to move them from place to place in the studio, to avoid ribbon damage from the air passing across them as they were moved .

Brands

Dynamics

There are a million brands, which of course goes for condensers, but not that many ribbon brands.

Not to worry, because there are several industry standards with which it's hard to go wrong. Here are the three most popular dynamics, and they probably outsell all the rest put together:

Electro-Voice RE20
Sennheiser 421U (see dealer about the specific one for your purpose)
Shure SM7
———
Shure SM57 / SM58 – less expensive and can be used if you do not have the money for the others

These mics, except for the last two, are in the $ 350- $ 700 range. Although each has a characteristic 'sound,' they are pretty close together in that respect. Each is well-made and dependable over the long haul, as in decades.

The Sennheiser, and, I believe, the SM7, have what are called proximate effects: if you get right on top of them they accentuate the lows. Many announcers in radio stations like to eat them; They want that deep "Voice of God" sound. They're better used at a distance of 6-10. "The RE20 is known for its lack of the procurement effect. Etc. The RE20 was also made under a different model name, PL20. Instruments and is no longer in production. I found a PL20 for $ 150 and am still jumping up and down, for the average used price of a PL20 or RE20 is double that.

For price-to-quality, none of these mics can be beat.

Condensers

Two flavors, here: transistorized and tube. As mentioned above, a tube condenser, like any well-designed tube device, generates overtones, which our ears perceive as "warmth." I say well-designed, because ever since tubes were "rediscovered" about 25 years ago, a lot of low-priced gear with a tube or two in them has hit the market, but they are not necessarily designed by people who understand exactly what They do nor how to design a tube circuit for best effect. This section deals with condensers in general.

Probably the most-recognized condenser mic name in the world is Neumann (pronounced NOI-man), and its most popular model is called a U-87. They sell new for around $ 3500, around $ 2000 or less used. A Neumann either sounds incredible on your voice or it sounds honky. It is the microphone National Public Radio uses exclusively.

It is found in just about every recording studio of any size. It will love your voice or hate it.

There are more expensive Neumanns, and a series of low-priced models prefixed with the letters TLM. A good number of voiceover artists use TLMs (<$ 1000); In my opinion they are not nearly as natural-sounding as the U-87 or a good dynamic. I had one but sold it after a few months. It could sound really good to your particular ear, however. I make this point because tastes different, and it is surely true that one voice can sound bad on a certain mic and superb on the next voice. So how does one choose? We'll get to that in a sec.

First, you must use a pop screen on a condenser. This device stops those blasts of air from non-vocal speech components, most notably "P" sounds, to which condensers are especially sensitive. Put your hand in front of your mouth and say "P." Feel the air? If that blast hits a condenser, let's just say you do not want to be wearing headphones at the time. Now, it's a good idea to talk across (at 45 degrees) not straight into, any microphone, because all of them will react badly to P pops; It is just that condensers REALLY react to them. Many RE20 users put pop screens in front of their mics even though most people do not use pop screens with dynamics.

Cheap condensers: a big no-no.

Cheap condensers are all over the market. You can buy a microphone with a nice spider shock mount and in a beautiful aluminum flight case all for $ 75. Um, I do not thin 'so, Looooxy. They are unnaturally bright at the top end and boomy at the bottom.

The really nefarious part of this is that, if you're just starting out, your ear is easily fooled into thinking that this sounds good. It does sound sort of exciting, but it is extremely fatiguing to listen to a recording made on one. As Phil Spector famously put it, "It's all in the middle." Americans like to crank up the treble and bass. If you have a mic delivering lots of highs and lows, and someone boosts the highs and lows on their music system, your work will sound worse than awful. Expensive microphones have rolled-off low ends and smooth high ends. Upon first using one you may even think, "Wow, what's the big deal about this thing? It's boring." No, it's natural. Unboosted highs and lows. In other words, it sounds like you, not you-through-a-microphone. That's as it should be.

Remember, you are competing with people who own high-end condensers, and that's how they sound. I'll take a $ 400 dynamic over a $ 400 condenser just about every time.

Ribbon microphones

I have experience with exactly one ribbon: an AEA R84. It sounds really good. It's an updated version of an industry-standard RCA ribbon, the Model 44, invented long ago and used forever, like the 77. It's tres cool-looking, and comes with a snarky-looking padded, fitted maroon bag for transport and protection. It's about $ 990.

There are other ribbons that have excellent reputations, more hitting the market all the time, see your dealer. I'm not aware of ribbons being used that much for voiceover, but I think it's because a great number of people do not know about them. I think it's also due as much to inertia as anything – everyone learns what everyone else is using and continues suit. Also, ribbons do not have the in-your-face sound that dynamics and especially condensers have.

How to choose the right mic for you

The really best way is to call a professional recording studio and book an hour or so of their time, and have them set up an array of mics around you and test read you, each mic going to a different track of a recording. It's infinitely better to match the mic to your particular (and unique) voice than to get just anything and try to make it fit using equalization (Google "equalization for voiceover" and read it!). I recommend you test no fewer than five mics, making sure to include all the ones listed above except the Shure SM57 / 58. When you listen to yourself recorded on each one, the best one will usually make itself plain, and it's a good idea To ask the recording engineer's opinion, for s / he knows what to listen for. My method is to listen to the records of the first two, choose a winner, compare it to the third one, choose a winner, compare it to the fourth, and so on. Then do it again, only have the engineer mix up the playback order.

Do not try this test in an amateur home studio. They almost certainly will not have the mics you need to make the test meaningful, and the person recording you will almost certainly not be competent to evaluate which mic to use for voiceover; Most home studios exist for the purpose of recording music and sung vocal, not voice acting and voiceover.

What if you do not have a studio within 50 or 100 miles, or their rates are too high (although I think paying $ 100 to test several thousand dollars' worth of microphones will save you unbelievable heads, sending mics back, etc.)?

Here's what to do: if your budget allows, buy either a Neumann U-87 or a Lawson L-47 MPII. The Lawson is around $ 2000, or $ 1500 bucks less than the Neumann. The Lawson is the mic I have used for nearly 10 years. It sounds like Disney, but even more importantly, I have yet to record a voice on it that has not sounded really good.

It is sold factory-direct through a fella named Gene Lawson in Nashville, at Lawsonmicrophones.com. If you call them, you can talk right to Gene. He's a great guy.

Absent that kind of budget, get an Electro-Voice RE20, Shure SM7, or Sennheiser 421U (they come with a couple of variations so tell your dealer that you're using it for VO.

If you're not sure whether you really want to be a VO artist but would like to give it a trial shot, get a Shure SM57 or 58. They are $ 100 dynamics. As I said before, they are okay, and never sound bad on anyone's voice.

Where to get it?

If you're going to get an RE20 or Sennheiser or Shure, get it from your local music store (the best choice because service is right there, no mailorder hassles). If you do not have one, go online to one of the big catalog outlets such as Sweetwater, Full Compass, Zzounds, or Guitar Center. They have fairly liberal return policies and are easy to work with. They sell a lot of stuff and have competitive reputations to maintain. Plus, their prices are usually identical from piece to piece so they have to make up for it with really good service, all to our advantage.

If you've got the bucks for a $ 1500 – $ 2000 + condenser, go online to SoundPure.com. (Lawson are sold factory-direct only at Lawsonmicrophones.com) Sound Pure has professional sound recordists to talk to, and at those prices you need to talk to pros. Not that the catalog stores do not have pros, but their level of expertise varies. I've talked to guys who knew nothing about what I wanted and guys who knew a lot; At Sound Pure they're all pros and they are really interested in getting you what you need and not a penny more.

Tell them everything you want to do, what other gear you have, what to buy if you do not have any gear yet. They really give a great big rip about their customers and about the pro audio business in general. I can not say enough good about them. In case you're wondering about all this nice stuff I'm saying about Lawson and Sound Pure: not only am I not getting paid by them, they do not know I'm writing this article!

To sum up: If there's a pro studio near you, book an hour and test their dynamics and condensers using the method above.

When you're ready to buy, if you want to spend $ 200- $ 700, get a dynamic: Electro-Voice RE20, Shure SM7, or Sennheiser 421U. Check your local music store first – everything's so much easier that way. From $ 1500 and above (which your local store probably will not have) get a tube condenser: Lawson L-47 MPII from Lawsonmicrophones.com, or for others, go to SoundPure.com and call them. Re the RE20, EV also makes an RE27. Some people really like them, some people really do not. I'd go with the RE20.

I've worked for years to get a good sound and am writing this to try to save you some time in finding your great sound.

Source by Michael K. Holmes

Automated Language Translation Software and Its Quality

Many people looking to have their business documents ported to a different dialect often avoid automated translation software. Having little confidence in software's ability to perform a suitable translation, they prefer to work with expensive human interpreters to do the job.

Truth is, businesses can save a lot of money with a small investment in translation software. Instead of having all their documents worked on by a consultant, they can use the automated software to handle common translation needs, leaving the expensive manual work done for documents that can seriously affect the bottom line.

If you compare manual translations with their automated counterparts, it's easy to see the difference in quality. Since human translators are capable of a wider range of thought processes, their work will naturally be better. However, peruse them for their ability to communicate the ideas and the overall value will likely be the same.

Modern language translation software no longer use the word-per-word conversions older software used to do. Instead, new algorithms offer pretty advanced features that may surprise you with its quality. For well-written source documents, especially the translation into any new language can be quite impressive.

Do not discount translation software based on past experience. They've now evolved in massive ways and may prove to be among the most valuable tools you can buy for your organization.

Beside, you can save more time, effort and expenses especially when you are in a hurry to finish the job. You can leave it there if you want to, with just minutes or seconds, the automated language translation softaware will do the task and finish it in an instant.

Source by Laurianne Sumerset

The Downside of Targeting Niche Markets

While there exists a rather large potential for profit when marketing for a specific audience, the process is not without its disadvantages. The work that must be put into analysis and research is often overwhelming and the unwillingness to put in the effort is frequently the downfall of businesses seeking to target a niche market. While this process can certainly be time consuming, it is essential that a business looking for a niche market complete this research. In performing the necessary market analysis a business can gain an upper hand on its competition.

The main goal of businesses looking to target a specific audience is to identify the needs of this niche market and learn how to better serve them, thereby increasing their sales and profit. Without the research and analysis it is nearly impossible for a company to do so. Within the analysis a business should aim to obtain information on the extent of their market, trends within the market, competitor prices, particularly those selling a similar product or providing a comparable service, and the preferences of this niche market also. The information you collect and examine must be accurate if you are to make a well-educated and beneficial business decision. As such one can see how rigorous this process can become, especially when one considers the need for information authentication.

While conducting this research can be quite painstaking, there are means through which a business can alleviate some of the stress associated with market research. Businesses can easily take advantage of the methods of conducting a market assessment in order to obtain better quality information with fewer errors. Using libraries, business publications, questionnaires, media sources and information obtained from government agencies can make the process of market analysis much less chaotic and simultaneously make it seem like less of a disadvantage.

Source by Jordi Shoman

Why Should You Outsource in the Philippines?

Business Process Outsourcing (BPO) in Davao City is a growing industry that supports a majority of the city’s business population. From IT support, web development all the way to book keeping, companies around the world are starting to outsource to the Philippines.

The Philippines is popular for being one of the most competitive nations for outsourcing. The country took the seventh spot in Consultancy’s list of top 40 countries for business process outsourcing.

But why should you outsource to the Philippines?

What makes the Philippines an effective partner in business development?

Here are 4 Reasons:

History

Many different nations around the world have influenced the Philippines. The country’s cuisine, national attire, pop culture and even dialects were inspired by other countries.

Spain and United States, specifically, have great influence to the country. Up until today these influences are noticeable among the younger generation. The adaptable and dynamic nature of the country and its people, makes it a competitive candidate for entrepreneurs.

Language

As mentioned above, the Philippines was governed by other countries before it was able to stand alone as a nation. This is why the influences of the English, Spanish and Chinese languages are still evident in the country’s dialects.

Aside from its many complex dialects, most of its citizens are also fluent in Filipino (the country’s official language) and English. Filipinos’ proficiency in their English language makes them ideal partners in business development.

Economy

The BPO industry in the Philippines is rapidly growing. Revenue projected to grow up to $40 billion and create 7.6 million jobs all over the country. The 2022 Roadmap of the IT-Business Process Association of the Philippines also speaks about the expected expansion of the industry. The BPO sector is also expected to cover 15% of the global outsourcing market.

Outsourcing benefits professionals and businesses aside from its’ significant impact to the economy. The value of US dollars works best for outsourcing companies. This allows small business owners to make business development possible minus the high cost. Companies get to thrive and employees get to enjoy comfortable pay from their offshore clients.

Climate

The Philippines is a tropical country, located above the equator. It has wet and dry seasons and home to many different natural wonders. In the Philippines, BPO in Davao City is one of the most promising since the city is flood-free and economically strong.

The city is also known as one of the safest places in the world, making it a good home for BPO employees and possible tourist destination for the clients.

The country’s language, economy, and climate make it a great destination for entrepreneurs. It is ideal for those who want to develop their business in the most time efficient and cost effective way possible.

The growth of the BPO industry shows the ever increasing interest of the other developed countries to the Philippines. The growth of BPO in the country not only makes it economically stronger but also a competent partner to other nations.

Source by Donald Smithon

Content Management Systems – The History and the Future

Content Management Systems (CMS) are any method of organizing electronic information. With the rise of the internet, the phrase was adopted as a catch-all to describe a wide range of systems that allowed users to create, edit, manage and publish website content.

Although in the early 1990's people were able to update some type of online content with products from both Microsoft and Lotus, the earliest example of a pure Content Management Tool came from Vignette with StoryServer around 1996. The next few years saw many CMS packages being released From the likes of Documentum, Interwoven and Broadvision.

Between 2000 and 2005, the sector went through a massive wave of merger and acquisitions leaving a number of users unsupported after packages were abandoned and difficulties as packages were merged.

By 2007 there were 3 types of Content Management System:

1) Software Editing

These systems deal with the editing on a local machine or network and then rely on publishing to upload the new content to the website. Typically these offline systems require installation of software before editing can be undertaken.

2) Online Editing

These systems typically require no software installation, giving flexibility to edit on any machine as long as a user has password access. Online content management systems can be very simple such Wiki's through to sophisticated CMS editor functions such as Vx.

3) Hybrid Systems

Hybrid systems allow users to edit content online through an online editing system, but allow for "checking out" of content to work away from the system before the content is put back into the online editor.

2008 and the future …

Content management systems have become extremely sophisticated enabling users to manage and manipulate text, images, documents, audio, video and animations.

New developments have brought the concepts behind Content Management Systems (non technical or design staff managing their websites) into other fields of the marketing mix. A number of systems have integrated email marketing functionality into their CMS, allowing tracking between the email and website functions.

Cutting edge systems have begun to bring the offline into the content management platform. Print materials, PDFs and other offline communications are now being managed through CMS systems in a similar way to websites and emails.

Source by Robin A Stephens

High Income Business Opportunities With The Lowest Risk

The tremendous growth of internet has thrown open several high income business opportunities. Many of these opportunities have little or no risk. And all this can be done from the comfort of your home. If you are willing to put in the time and effort, opportunities are plenty to make a high income.

Before looking out for high income business opportunities, you need to identify your niche. This will give you an edge and it will also reduce the risk. When you have personal interest in the business, you will be more inclined to work.

Today, one of the most popular high income business opportunities is affiliate marketing. The popularity of affiliate marketing is mainly attributed to its low risk. Many people have a wrong notion that low risk means less income. But this is not true in the case of affiliate marketing. If you are dedicated and hardworking, the earnings are huge in internet marketing.

A computer and internet connection is all that you need for affiliate marketing. You can join most of the affiliate programs for free. You also do not need to invest on products or services. You only need to make people click on your affiliate link. The purchasing and delivery of the products is also handled by the merchant’s web site. In affiliate marketing, there is also no need for employees. There are also no major legal formalities.

But before starting affiliate marketing, you need to do some basic research. Firstly, you should make a detail report about the product or service to intend to sell. People should have interest in the product you select. This is essential to make a high income.

The background of the company whose product you are intending to sell should also be checked. You need your customers to return to make an income constantly. Therefore always deal with a company which has established itself in the market.

If you are not keen affiliate marketing, you can check out the numerous online job banks. They have several different high income business opportunities.

You can earn a high income by providing online tuitions. But for this you should have a thorough knowledge about the subject you wish to handle. You can teach English to students in other countries. There is a high demand for English teachers. Another popular subject is information technology.

If you are creative, there are plenty of opportunities in web designing. There is also high demand for web content writers. You can also offer data entry and transcription services from the comfort of your home.

There are plenty of opportunities on the internet. Depending upon your skill, you can select a field. And if you are innovative, you can create your own high income business opportunities.

Source by Jaz Lai